Studies

FERNANDO BARROS & COMPANY

flamenco-in-new-voice-fernando-barros-company Authentic FLAMENCO: Ancient & New ...

FLAMENCO- & ARABIC- ANDALUSIAN MUSIC
FLAMENCO- & ARABIC- ANDALUSIAN MUSIC

FERNANDO BARROS ILLUMINATES FLAMENCO'S MUSICAL HERITAGE AND ITS TEXTS  [caption id="attachment_17213" align="aligncenter" width="225"]         Andalusia's Alhambra[/caption] To explain the origin of the Arabo-Andalusian style and the rise of Andalusian music, we must go back to the dawn of the Muslim era when the Visigoth-Hispanic...

Allen Ruttenberg
NEW PARADIGM: THE TEACHING OF DANCE FROM EMOTION

NEW PARADIGM: THE TEACHING OF DANCE FROM EMOTION "All children are dancers." Dance is "the art of expressing emotions with the help of body movements rhymed." Jacques Dalcroze Notes for the script of the conference: We will give a brief welcome and introduction of ourselves...

World Congress on Dance Research

42nd World Congress on Dance Research Hallandale Beach - Miami, Florida. September 16th - 20th, 2015 The World Congress on Dance Research is organized by a section of CID-UNESCO, in collaboration with the International Dance Council CID. CID congresses meet at an average of about 400...

News Release

News Release by Fernando Barros Lirola on August 4, 2015 in Flemish Culture , Education News Release For Immediate Release Contact: Melissa Moore, Manager: 505.603.0743                                                                                                David Griffin, Communications Director: 505.410.2693 Fernando Barros Lirola, World Renowned flamenco singer                                    . Andalusia Flamenco Cultural Ambassador and Master Teacher relocates to...

Carlos Lomas, Flamenco guitarist.

His music is inspired by the years he lived in Malaga and Madrid, where he worked with the best singers, dancers and musicians from Spain, and with so consummate technical skill combined with an exciting musical temperament   Carlos Lomas  won the respect and admiration...

Dance Day 29 April 2015

The official message for Dance Day 29 April 2015 Sergei Diaghilev [caption id="attachment_16775" align="alignleft" width="386"] RIA Novosti[/caption] A century ago famous Russian ballet organizer Sergei Diaghilev revolutionized by inviting the Most Talented painters and musicians of His Time to Contribute to His performances. I have the impression That present day...

2018 PERFORMANCES


Department of Spanish & Portuguese, University New Mexico presents "Sephardic Cantigas": A Sephardic & Flamenco Concert 2/23/18 11 am

SEPHARDIC HERITAGE in FLAMENCO
To understand the influence of Sephardic music in flamenco we begin with the musical contribution of the Jewish community to the territory of the kingdoms of the Iberian peninsula. Historians illuminate and provide clues to better understand this stage of musical history.
Since music has always had a fundamental connection with religious rites and because we have evidence of the existence of Jewish communities from the time of the Phoenicians (1000 BCE), we can say that a characteristic music was beginning to germinate with influences from the contemporary music that flourished and was played throughout the Iberian peninsula centuries ago.
The Jewish communities that were expelled from their lands for religious reasons by Ferdinand and Isabella, “The Catholic Kings,” kept their rites, their customs, their Spanish language and of course their music. It is important to recognize what can be truly be called a labor of love: the cultural custodianship the Sephardic people carried out. It remains alive and well and which, thanks to their perseverance, we can enjoy today.
Sephardic music contains elements of both Arabic and Christian music. It is Arabic in the rhythm and musical instruments, and it is Christian in the words in which this music was sung, the Spanish language.

Fernando Barros: Singer and composer; Carlos Lomas: Guitar & Oud; Davo Bryant: Percussion; Melissa Moore: Narration

Sephardic Spanish-Jewish influence in FLAMENCO

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