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AUTHENTIC VOICE of FLAMENCO

AUTHENTIC VOICE of FLAMENCO Iberian Trio at La Boca/Taberna 8pm Saturday, October 8, 2016 125 Lincoln Ave.    Santa Fe, NM  (505) 988-7102 Taberna la Boca presents...

Bolero Flamenco, Romance de Alhama

ROMANCE FOR LOSS OF ALHAMA   And walked the Moorish king - the city of Granada Elvira door from -. to that of Vivarrambla Oh my Alhama!Cards...

TIENTOS CAÑEROS A ABENAMAR

ROMANCE Abenamar Romance border that have adapted to flamenco music. It is a composition that premiered to commemorate the Millennium of the Kingdom of...

COLOMBIAN A MACHADO

FIELDS OF SORIA ANTONIO MACHADO It is the land of Soria arid and cold. (2) In the hills and mountains bald pradillos Green, ashen hills,...

Romance of the loss of Alhama.

Bolero Flamenco Fernando Barros Lirola. Composition of the romance of the loss of Alhama. Adapting to the rhythm of tango and melodic seduction...

Singing vidalita

My childhood memories are of a courtyard in Seville, and a clear orchard where the lemon; One my youth, twenty years in the...

2019 PERFORMANCES

                 

Metamorphic Transformation

Observing metamorphic transformations in nature allows us to extrapolate that method to humans and the arts. That is to say, the foundational substance becomes a supporting substance retained in the new identity. These essential elements are absorbed, now invisible to the observer, while the transformed form creates a stunning awareness of the new.

Likewise, our compositions make use of a similar pattern of creative mutation, if you will. We begin with folk songs that poet Federico Garcia Lorca chose, rescued from oblivion, transcribed for the piano and performed in various venues. Following a trajectory of revealing hidden elements, we submit them to an unexpected metamorphic process. The melodic essences of the old songs are those that give musical meaning to different poems that Lorca wrote.

Additionally, in his short life, he created diverse artistic works, including poetry, music, and literature. He also created formidable works for the theater, while also embracing other mediums such as painting. His contemporaries and artistic collaborators included Joan Miro and Salvador Dali.

«Lorca in the Keys of Hands and Voice,” a concert conceived and presented by Adam Kent and Fernando Barros, is a musical innovation inspired by Lorca’s example. Lorca collected melodies from the Spanish folklore repertoire and transcribed them for the piano using two different concepts: 1) adapting the old melodies to various of his poem, as for example, ANDA JALEO to the poem «Preciosa y el Aire”; and 2) singing the old songs using the expressive, emotive characteristics inherent in flamenco music.

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Email: barroslirola@gmail.com