ROMANCE Abenamar

Romance border that have adapted to flamenco music. It is a composition that premiered to commemorate the Millennium of the Kingdom of Granada.
The pace is tientos flamingos and aderezamos him with an instrumental sound of Andalusian music.

ROMANCE Abenamar
Abenamar, Abenamar, Moro Moors,
the day you were born
Great signs had!
Was the calm sea,
the moon was full.
Moro born in this sign
should not tell a lie.
There answered the Moor,
Well hear what he would
say: ‘I’ll tell you, sir,
Though it kills me,
because I am the son of a Moor
and a captive
Christian, –
and boy I was a child
my mother told me
not to tell a lie,
it was great villainy:
thus question king
. That truth would say
‘I thank you, Abenamar,
Aquesta your courtesy.


Singer: Fernando Barros
Guitarist Jonathan Morillas
Saz Baglama and Mandolin: Jesus Ballesteros
Dancer: Naima Lopez
Percussion: Single Sergio

Asher Barrett


Department of Spanish & Portuguese, University New Mexico presents "Sephardic Cantigas": A Sephardic & Flamenco Concert 2/23/18 11 am

To understand the influence of Sephardic music in flamenco we begin with the musical contribution of the Jewish community to the territory of the kingdoms of the Iberian peninsula. Historians illuminate and provide clues to better understand this stage of musical history.
Since music has always had a fundamental connection with religious rites and because we have evidence of the existence of Jewish communities from the time of the Phoenicians (1000 BCE), we can say that a characteristic music was beginning to germinate with influences from the contemporary music that flourished and was played throughout the Iberian peninsula centuries ago.
The Jewish communities that were expelled from their lands for religious reasons by Ferdinand and Isabella, “The Catholic Kings,” kept their rites, their customs, their Spanish language and of course their music. It is important to recognize what can be truly be called a labor of love: the cultural custodianship the Sephardic people carried out. It remains alive and well and which, thanks to their perseverance, we can enjoy today.
Sephardic music contains elements of both Arabic and Christian music. It is Arabic in the rhythm and musical instruments, and it is Christian in the words in which this music was sung, the Spanish language.

Fernando Barros: Singer and composer; Carlos Lomas: Guitar & Oud; Davo Bryant: Percussion; Melissa Moore: Narration

Sephardic Spanish-Jewish influence in FLAMENCO

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