Carlos Lomas, Flamenco guitarist.

25 Jun Carlos Lomas, Flamenco guitarist.

His music is inspired by the years he lived in Malaga and Madrid, where he worked with the best singers, dancers and musicians from Spain, and with so consummate technical skill combined with an exciting musical temperament   Carlos Lomas  won the respect and admiration of flamenco guitarists around the world.

An interpreter par excellence of Flemish , Carlos Lomas plays precisely a combined technique with fresh harmonies and syncopated of complex structures existing in traditional flamenco. This artistic relationship is the fundamental key to the artistic performance of Carlos Lomas. It has exceptional ability and is a dynamic and inventive musician whose personal magnetism have an amazing impact on your listeners. In addition to his remarkable creations, Carlos Lomas, compounded with an inherent respect for the emotional and cultural heritage of traditional flamenco clubs.  

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Metamorphic Transformation

Observing metamorphic transformations in nature allows us to extrapolate that method to humans and the arts. That is to say, the foundational substance becomes a supporting substance retained in the new identity. These essential elements are absorbed, now invisible to the observer, while the transformed form creates a stunning awareness of the new.

Likewise, our compositions make use of a similar pattern of creative mutation, if you will. We begin with folk songs that poet Federico Garcia Lorca chose, rescued from oblivion, transcribed for the piano and performed in various venues. Following a trajectory of revealing hidden elements, we submit them to an unexpected metamorphic process. The melodic essences of the old songs are those that give musical meaning to different poems that Lorca wrote.

Additionally, in his short life, he created diverse artistic works, including poetry, music, and literature. He also created formidable works for the theater, while also embracing other mediums such as painting. His contemporaries and artistic collaborators included Joan Miro and Salvador Dali.

“Lorca in the Keys of Hands and Voice,” a concert conceived and presented by Adam Kent and Fernando Barros, is a musical innovation inspired by Lorca’s example. Lorca collected melodies from the Spanish folklore repertoire and transcribed them for the piano using two different concepts: 1) adapting the old melodies to various of his poem, as for example, ANDA JALEO to the poem “Preciosa y el Aire”; and 2) singing the old songs using the expressive, emotive characteristics inherent in flamenco music.

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