13 Abr Bolero Flamenco, Romance de Alhama

ROMANCE FOR LOSS OF ALHAMA   And walked the Moorish king - the city of Granada Elvira door from -. to that of Vivarrambla Oh my Alhama!Cards you were coming - that Alhama was won. The letters poured into the fire - and the messenger killed, Oh my Alhama! -Dismounted from...

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ROMANCE Abenamar Romance border that have adapted to flamenco music. It is a composition that premiered to commemorate the Millennium of the Kingdom of Granada. The pace is tientos flamingos and aderezamos him with an instrumental sound of Andalusian music. ROMANCE Abenamar Abenamar, Abenamar, Moro Moors, the day you were...

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FIELDS OF SORIA ANTONIO MACHADO It is the land of Soria arid and cold. (2) In the hills and mountains bald pradillos Green, ashen hills, Spring passes, among the fragrant herbs Leaving Her tiny white daisies. - The earth does not revive the dream field (2) At...

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09 Ene Singing vidalita

My childhood memories are of a courtyard in Seville, and a clear orchard where the lemon; One my youth, twenty years in the land of Castile, my history, some cases do not want to remember. Not a seducer Would flow nor a Bradomín have been -and...

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Metamorphic Transformation

Observing metamorphic transformations in nature allows us to extrapolate that method to humans and the arts. That is to say, the foundational substance becomes a supporting substance retained in the new identity. These essential elements are absorbed, now invisible to the observer, while the transformed form creates a stunning awareness of the new.

Likewise, our compositions make use of a similar pattern of creative mutation, if you will. We begin with folk songs that poet Federico Garcia Lorca chose, rescued from oblivion, transcribed for the piano and performed in various venues. Following a trajectory of revealing hidden elements, we submit them to an unexpected metamorphic process. The melodic essences of the old songs are those that give musical meaning to different poems that Lorca wrote.

Additionally, in his short life, he created diverse artistic works, including poetry, music, and literature. He also created formidable works for the theater, while also embracing other mediums such as painting. His contemporaries and artistic collaborators included Joan Miro and Salvador Dali.

“Lorca in the Keys of Hands and Voice,” a concert conceived and presented by Adam Kent and Fernando Barros, is a musical innovation inspired by Lorca’s example. Lorca collected melodies from the Spanish folklore repertoire and transcribed them for the piano using two different concepts: 1) adapting the old melodies to various of his poem, as for example, ANDA JALEO to the poem “Preciosa y el Aire”; and 2) singing the old songs using the expressive, emotive characteristics inherent in flamenco music.

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