Concert «old light Lights»

07 Jun Concert «old light Lights»

ANCIENT LIGHTS LIGHT

Musical, poetic and visual spectacle commemorating the DELA MILLENNIUM FOUNDATION OF THE KINGDOM OF GRANADA.

SCREENWRITER

 

This show attempts to commemorate the millennium of the founding of the Kingdom of Granada with a musical and poetic concert in which the most important dimensions of development are indicated in the time of Andalusian culture and grenadine placing value on the contributions made from birth to Peninsular and Mediterranean history. It will merge the past with the present and the remote nature Andalusian music with the current flamenco music. The Andalusian Arabic poetry, in particular, made by Granada singing poets, with the celebration of an anniversary that put Granada in the world from a different, deep and universal culture began in 1013 and seconded until 1492, date of the Delivery of the city to the Catholic Monarchs. We will also make use of audiovisual means at our disposal.

The spectacle of one hour will consist of four parts, joined and continued with a musical tune that will give way to different times.

 

  1. Fall and destruction of the Caliphate of Córdoba.
  2. Arrival in Granada and the Ziríes contingent settlement.
  3. Rise and Ziríes Andalusian splendor and Nazari.
  4. Recomposition of a new era with the Christian arrival.

 

START.

Total darkness. Black scenario. No light.

. Drums, 2 minutes crescendo. Distant cries, muffled overall sound of hooves (and others) that simulate a military scenario.

Gradual white light, background, fall images of the desert, water images, sound sources, images of troop movements on horseback and face Zawi Ben Zirí.

It sounds the melody will be repeated in the interludes, 2.30 minutes (instrumental only). In part 2 of this melody will join two voices, male + -femenina.

VOICE

(Deep voice, emphatic, manly …)

Berbers of that country are we come and tell the truth of this story came to tell. How we are called to obey the Emperor Caliph, how we gave our last breath for his victories and booties and how spending time we tried to forget

and the insult was death and blood,

of which we live in a hostile and arbitrary time,

until the patient is high and take in our hands the destiny of the Caliphs and all his empire eaten by moths

and we reduced to ashes his arrogance and cowardice.

It was that life and death now, because the mercenary and the soldier are given the peace when they have served their devastating fate.

So we came from the desert. And thirst and revenge for our dead father brought us here. And here we fought in fierce steeds and sow death in the garden of paradise that we came for.

But today, May 30, 1013, (ie in Arabic and Christian calendar) at the gates of GARNATA we write another destination to our condemnation of wandering executioners, because our Peace be invincible and create a realm of water and myrtle,

of fertile orchards and watch grow havens where our children and our women … smile.

Images of Cordoba destroyed, Medina Azahara, sparks, fire …

 

Melody crescendo …

 

 

2nd part. Settlement: The Lithan.

 

VOICE:

We build an impregnable city where our children will care for their grandchildren and this land we have earned the clutches of predators will light on our shadows, OLD LIGHT LIGHT, as the talisman of our Lithan turban. Impregnable, invincible it will be our future.

Meanwhile, images are projected scarf-turban-Lithan bluish-green, appears in sobreimpresiónla Alcazaba Cadima, Caba Cuestala visible walls, interior well of the King, Patio Daralhorra Palace, Torres Charcay Arco dela Placetadela of Weights, Acequia de Ainadamar and others. The Lithan, flies over the images.

 

Poem recitation  in Arabic , (male voice) and sung termination without tools first and then with the whole group that gives the reply in Castilian.

Changing lights, dim corner first and graded to the lectern. The Lithan disappears.

 

 

Part 3. Splendor .

 

Smooth drum invited to a party.

Recited and READING

. Hamda BINT Ziyad al-MU»ADIB , grenadine. (Eleventh century)

«Maid in the river»

«The Valley of Guadix»

BINT AL .HAMSA RAKUNIYA , Granada Alpujarras, (eleventh century)

«Spies»

«The spell of Babylon»

After the reading, a woman does, it, in the manner of singing poets, tunic (white) is removed and leaves the stage to do next:

ANDALUSÍ DANCE , with music chosen for that purpose.

It gives the reply flamenco singer who makes a poem SING ANDALUSIAN ARABIC bringing on stage a flamenco bailora.

Images of the gardens of the Generalife, Patio de los Leones, Mirador de Lindaraja, El Partal (the gardens). Between singing, dancing and touch this part is closed.

Part 4. Symbiosis

FLAMENCO TOUCH: to input:

-Sing: Border ballads in flamenco key.

– «Oh my Alhama¡»

– «Abenamar, Abenamar»

Images ruined castle in Mondujar Mulhacen. Castles or Illora Moclín, Overview of Albaicin, head dela Cathedral, St. Jerome and others. Mixing Moorish courtyards and Renaissance houses.

Return to the original tune  (the Fountain of Love), and go to dance belly dancing, flamenco dancer and one of flamenco, along with some friends mingling with the audience.

 

BLUE BACK ON STAGE, TURN ON THE LIGHTS.

 

TECHNICAL MEANS:

.Escenario: 15 mx 5, musicians and artists.

.Atril + CLOSING FUND for projections.

.LED And Sound. Typically in this type of show. It is calculated.

SCREENWRITER Isacio Rodriguez + secretosdegranada.net

Musical Director: Fernando Barros Lirola + queselflamenco.com

AUDIOVISUAL ADDRESS: David Perez (Zerep)

MUSICIANS: Jonathan Morillas, Jesus Ballesteros, Sergio Single, Marad, Malole Diaz, Jose Arcadio.

Recited and Dance: Elena Berrocal Eva Moon + Mugica

Dancer and BALLERINA

 

Asher Barrett
jasherbarrett@gmail.com


2019 PERFORMANCES

                 

Metamorphic Transformation

Observing metamorphic transformations in nature allows us to extrapolate that method to humans and the arts. That is to say, the foundational substance becomes a supporting substance retained in the new identity. These essential elements are absorbed, now invisible to the observer, while the transformed form creates a stunning awareness of the new.

Likewise, our compositions make use of a similar pattern of creative mutation, if you will. We begin with folk songs that poet Federico Garcia Lorca chose, rescued from oblivion, transcribed for the piano and performed in various venues. Following a trajectory of revealing hidden elements, we submit them to an unexpected metamorphic process. The melodic essences of the old songs are those that give musical meaning to different poems that Lorca wrote.

Additionally, in his short life, he created diverse artistic works, including poetry, music, and literature. He also created formidable works for the theater, while also embracing other mediums such as painting. His contemporaries and artistic collaborators included Joan Miro and Salvador Dali.

«Lorca in the Keys of Hands and Voice,” a concert conceived and presented by Adam Kent and Fernando Barros, is a musical innovation inspired by Lorca’s example. Lorca collected melodies from the Spanish folklore repertoire and transcribed them for the piano using two different concepts: 1) adapting the old melodies to various of his poem, as for example, ANDA JALEO to the poem «Preciosa y el Aire”; and 2) singing the old songs using the expressive, emotive characteristics inherent in flamenco music.

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Email: barroslirola@gmail.com