Guitar classes

22 Ene Guitar classes

Posted at 09:49h in Studies by sfadmin
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Want to learn to play flamenco guitar?

With these classes is to give students a thorough understanding of the particular nature of Flamenco, immersion in this culture and tradition so get grasp, in all its dimensions, its essence and spirit. Also it tried to lay the foundations for a correct and effective technical and, more importantly, about musical concepts crystallize, by the time of maturity of all, a real awareness musician.

For more learning opportunities, students can choose individual or group classes in person or online classes from anywhere in the world.

In these classes work:

  • Improvement of the full range of joint, attack modes, implementing techniques and flourishes.
  • The dynamic and precision balance levels and sound quality.
  • Phrasing and rhythm and its adaptation to the different styles and styles.
  • Combinations own rhythmic accompaniment of singing and dancing.
  • Practical harmonic principles tailored to the specific needs of the flamenco guitar rhythmic-harmonic chords encrypted and transcripts of both wheels.

 

His guitar sound as vibrant immerses you in Flemish art, and so you can distinguish the variety of styles they have.

His guitar sound as vibrant immerses you in Flemish art, and so you can distinguish the variety of styles they have.

Guitarist Jonathan Morillas can help you get to know a progressive, easy and intuitive all the keys of this music form.

Furthermore, this teacher has the appropriate studies to elementary level classical guitar, flamenco guitar professional degree and is active in the Granada flamenco with extensive experience in education.

Asher Barrett
jasherbarrett@gmail.com


2019 PERFORMANCES

                 

Metamorphic Transformation

Observing metamorphic transformations in nature allows us to extrapolate that method to humans and the arts. That is to say, the foundational substance becomes a supporting substance retained in the new identity. These essential elements are absorbed, now invisible to the observer, while the transformed form creates a stunning awareness of the new.

Likewise, our compositions make use of a similar pattern of creative mutation, if you will. We begin with folk songs that poet Federico Garcia Lorca chose, rescued from oblivion, transcribed for the piano and performed in various venues. Following a trajectory of revealing hidden elements, we submit them to an unexpected metamorphic process. The melodic essences of the old songs are those that give musical meaning to different poems that Lorca wrote.

Additionally, in his short life, he created diverse artistic works, including poetry, music, and literature. He also created formidable works for the theater, while also embracing other mediums such as painting. His contemporaries and artistic collaborators included Joan Miro and Salvador Dali.

“Lorca in the Keys of Hands and Voice,” a concert conceived and presented by Adam Kent and Fernando Barros, is a musical innovation inspired by Lorca’s example. Lorca collected melodies from the Spanish folklore repertoire and transcribed them for the piano using two different concepts: 1) adapting the old melodies to various of his poem, as for example, ANDA JALEO to the poem “Preciosa y el Aire”; and 2) singing the old songs using the expressive, emotive characteristics inherent in flamenco music.

Follow us: studyflamenco.com & queeselflamenco.com

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Email: barroslirola@gmail.com