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FLAMENCO EN LAS AULAS

$12.99

DISPONIBLE COTACTANDO: barroslirola@gmail.com

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Descripción

El flamenco es ya un arte universal apreciado más allá de nuestras fronteras. Su riqueza rítmica, melódica y armónica le ha hecho acreedor de un respeto general que aumenta día por día. Sin embargo, en ocasiones, lo envuelve una leyenda de hermetismo y dificultad que perjudica su verdadero conocimiento y su aprendizaje y, lo que es peor, su crecimiento. El objetivo de “Flamenco en las aulas” es mostrar las claves esenciales de esta música y hacerla asequible a los aficionados, empezando por los más jóvenes en las escuelas y los institutos. En este libro se muestran sus interioridades musicales, sus valores formales y de contenido, su trasfondo rebelde y comprometido… Ha llegado el momento no solo de aprender nuestra música, sino de hacerlo con la exigencia y la pasión que todo arte necesita.

Información adicional
Peso 8 oz

2019 PERFORMANCES

                 

Metamorphic Transformation

Observing metamorphic transformations in nature allows us to extrapolate that method to humans and the arts. That is to say, the foundational substance becomes a supporting substance retained in the new identity. These essential elements are absorbed, now invisible to the observer, while the transformed form creates a stunning awareness of the new.

Likewise, our compositions make use of a similar pattern of creative mutation, if you will. We begin with folk songs that poet Federico Garcia Lorca chose, rescued from oblivion, transcribed for the piano and performed in various venues. Following a trajectory of revealing hidden elements, we submit them to an unexpected metamorphic process. The melodic essences of the old songs are those that give musical meaning to different poems that Lorca wrote.

Additionally, in his short life, he created diverse artistic works, including poetry, music, and literature. He also created formidable works for the theater, while also embracing other mediums such as painting. His contemporaries and artistic collaborators included Joan Miro and Salvador Dali.

“Lorca in the Keys of Hands and Voice,” a concert conceived and presented by Adam Kent and Fernando Barros, is a musical innovation inspired by Lorca’s example. Lorca collected melodies from the Spanish folklore repertoire and transcribed them for the piano using two different concepts: 1) adapting the old melodies to various of his poem, as for example, ANDA JALEO to the poem “Preciosa y el Aire”; and 2) singing the old songs using the expressive, emotive characteristics inherent in flamenco music.

Follow us: studyflamenco.com & queeselflamenco.com

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Email: barroslirola@gmail.com