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CERVANTES: A Quixotic Quest with Flamenco

                           CERVANTES INSTITUTO ALBUQUERQUE          PRESENTS                                         CERVANTES: A Quixotic Quest with Flamenco    ...

Authentic VOICE OF FLAMENCO

IBERIAN TRIO at LA BOCA/TABERNA On SATURDAY, OCTOBER 8 at 8pm, La Boca/Taberna in Santa Fe, NM presents three outstanding musicians who are unveiling a new approach to flamenco. The trio is Fernando Barros, flamenco singer and composer; Carlos Lomas, flamenco guitarist and oud player; and...

AUTHENTIC VOICE of FLAMENCO

AUTHENTIC VOICE of FLAMENCO Iberian Trio at La Boca/Taberna 8pm Saturday, October 8, 2016 125 Lincoln Ave.    Santa Fe, NM  (505) 988-7102 Taberna la Boca presents three outstanding musicians who are unveiling an innovative approach to flamenco. The trio is Fernando Barros, flamenco singer and composer; Carlos Lomas,...

POESIA FLAMENCA in COLORADO

Natalia Perez del Villar & Flamenco Underground present an evening of live flamenco music, dance and Spanish poetry. Guest Artist: Flamenco Singer Fernando Barros Lirola from Granada, Spain. Natalia Perez del Villar, Dancer Mark Herzog, Guitarist Fernando Barros, internationally recognized as an innovator, reveals in his compositions the “melody”...

Allen Ruttenberg
NEW PARADIGM: THE TEACHING OF DANCE FROM EMOTION

NEW PARADIGM: THE TEACHING OF DANCE FROM EMOTION "All children are dancers." Dance is "the art of expressing emotions with the help of body movements rhymed." Jacques Dalcroze Notes for the script of the conference: We will give a brief welcome and introduction of ourselves...

2016 SEASON PERFORMANCES

NEW FLAMENCO CONCERTS FOUR NEW THEATRICAL PERFORMANCES created by flamenco historian, composer and singer, Fernando Barros, based on the texts of the authors and poets of Spain: Miguel de Cervantes, Federico Garcia Lorca, Antonio Machado and Juan Ramon Jimenez. Additional works include anonymous poets of the...

Dance Day 29 April 2015

The official message for Dance Day 29 April 2015 Sergei Diaghilev [caption id="attachment_16775" align="alignleft" width="386"] RIA Novosti[/caption] A century ago famous Russian ballet organizer Sergei Diaghilev revolutionized by inviting the Most Talented painters and musicians of His Time to Contribute to His performances. I have the impression That present day...

FLAMENCO AND POETRY

FLAMENCO ART IN OUR VOICE OF POETS Introduction The flamenco is well-matched, how could it be otherwise, with the literary work, especially poetry. Harmony and rhythm are the essence of both, and then become his musicality and beauty. Through the symbiosis of music and poetry that achieves flamenco,...

2019 PERFORMANCES

                 

Metamorphic Transformation

Observing metamorphic transformations in nature allows us to extrapolate that method to humans and the arts. That is to say, the foundational substance becomes a supporting substance retained in the new identity. These essential elements are absorbed, now invisible to the observer, while the transformed form creates a stunning awareness of the new.

Likewise, our compositions make use of a similar pattern of creative mutation, if you will. We begin with folk songs that poet Federico Garcia Lorca chose, rescued from oblivion, transcribed for the piano and performed in various venues. Following a trajectory of revealing hidden elements, we submit them to an unexpected metamorphic process. The melodic essences of the old songs are those that give musical meaning to different poems that Lorca wrote.

Additionally, in his short life, he created diverse artistic works, including poetry, music, and literature. He also created formidable works for the theater, while also embracing other mediums such as painting. His contemporaries and artistic collaborators included Joan Miro and Salvador Dali.

«Lorca in the Keys of Hands and Voice,” a concert conceived and presented by Adam Kent and Fernando Barros, is a musical innovation inspired by Lorca’s example. Lorca collected melodies from the Spanish folklore repertoire and transcribed them for the piano using two different concepts: 1) adapting the old melodies to various of his poem, as for example, ANDA JALEO to the poem «Preciosa y el Aire”; and 2) singing the old songs using the expressive, emotive characteristics inherent in flamenco music.

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Email: barroslirola@gmail.com